Santa Monica No. 18

In Santa Monica No. 18, Ken Evans continues his exploration of Southern California flora with a photograph that is both delicate in detail and commanding in composition. Capturing a pair of blooming protea blossoms - an architectural species renowned for its geometric complexity- Evans isolates them in a field of velvety black, transforming botanical form into near-cosmic abstraction. The two flowers, placed in a subtly diagonal relationship, evoke celestial twins: radiant, otherworldly, and almost sentient. The image pulses with an inner rhythm, each filament curving and extending outward like antennae tuned to unseen frequencies. There is an almost audible quality to the visual structure - like the static hum of something alive. Evans’ decision to photograph these blooms in black and white strips away their well-known color and forces the viewer to attend more deeply to texture, symmetry, and spatial play. This visual pairing - one bloom rendered in perfect radial symmetry, the other slightly turned - suggests both duality and harmony. There’s an abstract grace at work, almost like a duet being danced in stillness. It’s this poetic tension - between motion and stillness, botanical and mechanical, known and unknown - that elevates Santa Monica No. 18 beyond floral photography and into the realm of fine art minimalism. Santa Monica No. 18 bridges natural elegance and abstract design. Its symmetrical dynamism and stark contrast make it a centerpiece-worthy print in modern interiors, particularly those favoring monochrome palettes or nature-informed minimalism. As part of the broader Santa Monica Series, it adds a rhythmic and iconic moment—one that resonates with both scientific curiosity and aesthetic sophistication. This print is carefully crafted to ensure the highest quality and detail, bringing the image to life in your hands and on your walls. Perfect for art enthusiasts, collectors, or simply to add a touch of elegance to your space that will last for generations